John wrote:> I know people love his "artistic style" or whatever, but I really do NOT like how
> every shot in a Wes Anderson movie looks washed out and shot on a camera from 1952.
> Again, I know that is kinda "his thing" or whatever. But I just do not enjoy it.
> The still frame above or just Googling the movie and looking at ANY frame from ANY
> shot in it and they all look exactly the same. I just don't get the love for that.
> *shrug*
This, more than any other of his movies, looks like paintings.
I can't remember the specific painters name, but this shot
imageis an homage to a painter and I can't for the life of me remember who it is and it's killing me.
Every frame in this movie looks like a painting.
I think Anderson's art direction in his films are exquisite. But visually, this film looks more like a painting than his others.
I re-watched French Dispatch the other night and it shot up towards the top of his films. He is one of the most unique visual storytellers of the last ... gosh, I don't know - three or four decades.